Fourgin or Onegin four ways

Until this year I'd not heard of Onegin, however when I received the Royal Opera House magazine and saw that they were doing the ballet and the opera with two different scores by Tchaikovsky I had to see both. Then posters popped up around town for Tatyana which turned out to be a Brazilian contemporary dance company's version of Pushkin's Onegin.

Onegin with the Royal Ballet
I had no expectations of what was coming having not read the story and failing to purchase a programme. However, I was quickly drawn in to the story and the dancing. Marianela Nunez was, as expected, beautiful and you could feel her anguish as Thiago Soare's Onegin cast her off. Meaghan Grace Hinkis debuted in the role of Olga, Tatiana's friend and danced the role with grace, showing joy, teasing and grief. I loved the use of the two curtains at the front of the stage to create a blank corridor which added drama and comic timing as needed. I loved the drama of Onegin's black cape and it added to his despair when he realised that he really had just shot his friend in a duel over Olga who was caught in the middle. Added to a grabbing story and beautiful dancing, the score from Tchaikovsky was perfect, it seemed familiar at times and I left wanting to buy the recording.

One little quibble the set made me feel seasick at times, as the angles on the flat backdrops painted to make the rooms appear square weren't quite right for my eyes making the 'room' pulsate. Luckily the dancing meant I didn't focus on them too much. The verdict? I'll be sure to get tickets next time the Royal Ballet bring Onegin back especially if Nunez and Soares are dancing together again.

One final thing about this performance, the curtain call. An unusual thing to blog about perhaps but this one was special as Marianela Nunez and Thiago Soares embraced you could see what they had put into their performance. Vampire Soup caught the moment perfectly on her blog, illustrated by @missbunnyman.

Tatyana with Companhia de Dança Deborah Colker
The evening got off to a good start as the Barbican were offering reseats down to the stalls and getting closer to the action is always welcome. I'd read one review that said you needed to know the story before you watched so I felt smug that I knew the story already. However, I'm not sure it stood me in good stead, I would have been better off viewing this dance piece as an abstract. I found the fact there there could be up to four dancers in each role very confusing, I wanted them to dance the same thing as each other, on reading the programme I discovered they were supposed to represent the different aspects of the characters. as one Royal Ballet dancer can dance beautifully and portray a complex character how come this company failed to portray a character with four dancers.

Eugene Onegin with the Royal Opera
So this was my first proper opera and I was curious and strangely a bit nervous. There were no surtitles in the first act due to a technical hitch which made the long first act very difficult. I also struggled with the Royal Opera's need to have two dancers to play alter egos / young versions of Onegin and Tatiana was distracting and for me a pointless exercise. By the end of the first act I wasn't sold but Act II changed my mind. Pavol Breslik in the role of Lensky brought tears to my eyes so much so that I couldn't read the fixed surtitles and to be contrary I found them distracting in the second half. So the verdict is I'll be back for another opera but perhaps I'll choose a bit more carefully next time.

Eugene Onegin by Pushkin
I decided that I really ought to complete my set of Onegin's with the book and so I downloaded it for my Kindle. I struggled a little with the text and some of the rhyming couplets made me laugh. I felt the book was slow to move and if I'm honest I paused / stopped half way through. I think I will go back to it though I'd like to be able to say I managed to finish all four versions of Onegin.

While I took my time on this post the inspiring Dave Tries Ballet posted on his blog comparing the ballet with Pushkin's novel in verse. A well written interpretation, beautifully illustrated with excerpts, photos and video and I recommend you head over to read his post.

An Ashton farewell

Ashton's Evening
La Valse
This piece was beautiful and I look forward to seeing it again. The dresses were perfect prom dresses, just like every little girl dreams about growing up. The patterns were beautiful, although there were few lines that weren't quite straight bringing to mind the words of my dance teacher 'you wouldn't expect to see wonky lines at the Royal Ballet.' Overall this piece was my highlight of the evening.

'Meditation' from Thais
In the midst of the evening this one I struggle to remember. I do recall that on the empty stage Leanne Benjamin and Valeri Hristov looked so small.

Voices of Spring
Alexander Campbell and Yuhui Choe provided a real highlight for the evening. Scattering the stage with white petals Choe and Campbell were a joyous pairing. They not only looked like they were having a lot of fun, making me want to dance too but gave a flawless performance. I'll be looking out for Campbell / Choe pairings in future performances as I want to see more.

Monotones I and II
The costumes were a little off-putting and in monotone I the dancers looked a little frog like. Overall I wasn't too keen on this piece, especially Montones I. In Montones II Edward Watson and Nehemiah Kish seemed to be doing their best to tie Marianela Nunez into knots, but she proved to be remarkably flexible and Montones II picked up.

Marguerite & Armand
A farewell for Tamara Rojo and Sergei Polunin at the Royal Ballet. I'd not seen this ballet before and I have to admit I didn't particularly like it and wasn't sure it showed either Rojo / Polunin off to their best. In particular I felt like Polunin was not on form at the start of the performance, although by the end his dancing was impressive. The evening finished on a high with more curtain calls than you could count, a cameo appearance from Carlos Acosta and a mountain of flowers thrown from the boxes. A better farewell a girl could not dream about.

Wrapping up 2012

So it turns out I neglected my blog and reading towards the end of the year so here's a whistle stop tour of what I read for the rest of 2012, just for completeness.

Keeper of the Light by Diane Chamberlain
Another good read from Diane Chamberlain. When Annie dies on the operating table as Olivia operates her world unravels. Olivia realises her husband was in love with Annie and life will never be the same. As she dives deeper into what happened behind her back Olivia uncovers all kinds of secrets, no murder but mystery none the less.

A Storm of Swords by George R.R. Martin
The third of the Game of Thrones books and more of the same. I'd like to finish the series and see how it ends, but I'm not sure I want to read any more war circles and characters dying just as you decide that they are the one you want on the throne. Maybe i will reach the end but I suspect that it will be like Robert Jordan's series, stretched too far for me.

The Night Circus by Erin Morgenstern (Book Club)
I loved this book which I might not have picked up off the shelf myself. It is a magical tour through a dreamlike circus that is only open at night. Although elements of the story were entirely predictable, the style of writing and descriptions meant I finished the book wishing I could visit the night circus. I've added this book to my shelf I will read again.

Ryan's Return by Barbara Freethy
A typical chick-lit, girl meets man falls in love, doesn't realise it, nearly loses him and ends up happy with him. The verdict if you need an easy beach read and don't mind chick-lit then this is worth packing in your case.

The Spare Room by Helen Garner (Book Club)

This was an interesting choice for book club and told the story of a woman who offers her spare room to her friend who has terminal cancer. When her friend arrives and checks in to the local alternative therapy clinic the effects are devastating and a wedge is driven between the friends as they disagree about the validity of the treatment. I found this a fascinating insight into what a person could put themselves through when they have lost hope in medicine.

A Fly on the Ward by Michael K Chapman
Another hospital, blog type book, but this one is written from the point of view of a patient. The description made me think I was in for a good laugh out loud read. Although that is what the author attempted to achieve I didn't find the stories as amusing as they are from the other side and the laughs were few and far between.

It Shouldn't Happen to a Midwife by Jane Yeadon
Jane trained in Belfast in the sixties and her escapades with her fellow midwifery students was an amusing read.

Monday to Friday Man by Alice Peterson
Another chick-lit read to pack for the beach.

The Lost Daughter by Diane Chamberlain
I love Diane Chamberlain's writing and as Picoult does Chamberlain's stories are never quite what they seem.

Gone Girl by Gillian Flynn (Book Club)
We read this book at book Club before it hit the billboards here in the UK. This book was perfect for me with a huge twist in the middle. When it becomes clear that all is not as it seems you then try and untangle the clues that are left. The truth leaves you baffled and at book club there were plenty of discussions about whether we liked any of the characters. A good read especially for someone like me who enjoys a good murder mystery.

Luke and Jon by Robert Williams
Luke and Jon is a lovely book about two young boys. Luke's mother is dead and his father doesn't speak any more and escapes into the bottle. Then Luke meets Jon, a boy who doesn't fit in and has a secret. The boys bond and support each other, helping Luke's father with a huge project. Together Luke and his father uncover Jon's secret and offer him an escape, a truly heart warming read.

Tom, Dick and Debbie Harry by Jessica Adams (Book Club)
This was a dull book, set in Australia a British girl goes out to marry an Australian (Richard), has an affair with his best mate Tom while Richard's brother lives out his obsession with Debbie Harry. I didn't really care about any of the characters and nothing particularly interesting happened, I won't be reading this book again and I wouldn't recommend it, not even for a light bit of reading on holiday.

Safe House by Chris Ewan (Book Club)
The Isle of Man isn't where you would expect to find a twisted thriller to be set, but that's exactly where Chris Ewan set this book. when Rob comes off his motorbike and wakes up in hospital his first thought is to ask about his travelling companion Lena. But Rob was the only on picked up by the ambulance, there was no Lena, where did she go? Was Lena a figment of Rob's imagination and then Rebecca turns up asking questions about Laura, Rob's sister who recently died in a car accident, or maybe suicide. The story unravels and draws you in as it progresses and Rob takes on a new role as investigator, very different from his day job, plumbing. A good read, although I don't think Rob will be featuring in more murder mysteries in the future.

Gin O'Clock by The Queen of Twitter
@Queen_UK is one of my favourite twitterers and this was an impulsive purchase on the Kindle. A fun book to read over Christmas, linked to the twitter account this gives you a little more, you could fool yourself into thinking that you really are reading the Queen's diary and she does have a great sense of humour.

Snow Spider

Just heading home from Snow Spider at the Oval House in Vauxhall. Joey Hickman was fab in the role of Gwyn, a nine year old boy who was at the centre of the show with his yellow back pack. For me though the show was carried by Anne-Marie Piazza playing Nain, Gwyn's grandmother.

Based in a children's story this show asked you to suspend belief. For a start Piazza is no grandmother and Hickman not a nine year old boy. But what I really loved about this show was the feeling of a secret Edinburgh find. You know, the one you see on the first weekend, then you see the Guardian review, then it wins an award and you know you saw it before it was big. What a shame the same accolades are not available for these shows all year round.

The cast were not just talented actors but also musicians. I've never seen one violin in so many hands and the folk music element brought the story to life.

I particularly loved the simplicity of set and costume. Everything was knocked back with just a flash of colour bringing families together. I think this approach leaves the audience with a blank canvas to paint their own picture on.

So it might have been a children's play with a predictable story line but I got caught up in the magic and even cried at the end. At the time of writing you have just 2 days to buy tickets, I recommend you do., especially if you miss that edgy fringe theatre you often only watch in Edinburgh!

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Viscera, Infra and a Fool's Paradise

Blogging on the tube home from the Royal Opera House, which is a new experience. Tonight was another big step in my journey towards loving the more abstract and modern pieces.

Part one: Liam Scarlett's Viscera
First off I think the leotards were my favourite, I just wish they'd look as good on me! However the costumes were just a small piece of this artwork. I loved the crisp lines and crystal shapes formed by the dancers, both individually and as an ensemble. Lowell Liebermann's music was lovely and Scarlett's choreography and costume design illustrated the piece perfectly. Two small gripes, occasionally a few dancers were a beat out and in a piece this sharp it jarred. I'm sorry to say that although I love Dawid Trzensimiech's dancing in this piece his extra sparkle meant he didn't blend completely with the group. But all in all a great start to the evening.

Part two: Wayne McGregor's Infra
This was my unexpected highlight for the evening. I didn't think Viscera could be topped, but this piece was emotionally overwhelming. The dancing was fantastic and in this piece Trzensimiech came into his own. But what stood out for me was the feeling of isolation. It felt like each couple were in their own bubble alone, and yet complementing those around. But then it felt as though the individuals themselves had no connection to their partners and were dancing out a need for support. The lighting and LED display of city workers going about their day blended in and out of the dancing enhancing the emotion. I'm embarrassed to admit that I welled up during this piece and the final piece had a lot to live up to.

Part three: Christopher Wheeldon's Fool's Paradise
A lovely piece, however after the sharp shapes of Viscera and raw emotion of Infra I felt that something was missing. Although beautifully danced and without the synchronisation issues of Viscera this piece was just too abstract for me. However the animation on the backdrop was stunning it took me a while to realise there were no real petals being dropped. With all this in mind, I still look forward to Wheeldon's next offering as this is the first time I've felt flat from his work and I think more because of the programme it was in than the work itself.

The evening reminded me how much I love the ballet and inspired me to dig out my leotard and tights, get back to class and actually book my Onegin tickets.

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