New Royal Ballet narrative ballets

I was lucky enough to enjoy two new story ballets at the Royal Opera House, one in the Linbury and one on the main stage.

Hansel and Gretel from Liam Scarlett
Liam Scarlett's first full length ballet was hosted in the Linbury studio theatre. I was pleased to be given a reseat on arrival as I had originally had a standing spot and was offered a seat instead. This was due to the ballet being staged in the round, sitting in the temporary rows across what is usually the back of the stage I was not really convinced by the statement 'in the round' as I often felt as though I was watching from the back. However, I'm not complaining because from where I was sat I could easily see all the action, from the children's bedroom on the mezzanine level to the Witch's basement sunk into the stage under a garden shed.

Overall I enjoyed the ballet, it was dark and twisted as one might expect and the Sandman did leave me with nightmares. I saw the reviews which said there was some overacting but for me it was all part of putting on a fairy tale. I loved Ryoichi Hirano's witch, torn between his desires and hints of a dark and miserable childhood, I felt a little scared of him but mostly sorry for the lonely being under the garden shed haunted by the terrifying Sandman.

Raven Girl from Wayne McGregor
I saw Raven Girl on opening night from the middle of the amphitheatre. I wasn't expecting a classical ballet, it is a Wayne McGregor after all. However, given the dark lighting and seeming lack of dancing I was disappointed and what is a lovely story fell flat. That said, my friends, two of whom had never been to the ballet before enjoyed it and liked the black box theatre feel. I wanted to see more dancing from Ed Watson and less cycling. Thiago Soares gave a mad professor that would be hard to match, taking complete glee in turning raven girls arms into wings.

Based on my first experience mum and I decided to treat ourselves to stalls seats for my second visit to see the second cast. We were near the centre of the front row of the stalls and I can say this was indeed a good choice. Coupled with the fact that some changes had been made seeing the dancers faces made all the difference to the ballet. The lighting had been adjusted and my least favourite scene where they removed the raven girl's wings was removed. Alexander Campbell gave a great performance as the boy, you could sense his shyness about approaching the raven girl and his empassioned encounter with the Gartside's doctor was great. I was sad that that final pas de deux didn't sing out in quite the same way. However, when this ballet comes back I will be there and will definitely be treating myself to a decent seat.

Raven Girl was paired with Balanchine's Symphony in C, a beautiful contrast. This ballet had beautiful music, crisp white tutus and lots of bright lights. Beautiful performances all round and fresh from their run of La Bayadere the ladies of the corps de ballet created stunning shapes and patterns. I look forward to seeing this work again and have downloaded the score to my iPhone to keep me going.

An Ashton farewell

Ashton's Evening
La Valse
This piece was beautiful and I look forward to seeing it again. The dresses were perfect prom dresses, just like every little girl dreams about growing up. The patterns were beautiful, although there were few lines that weren't quite straight bringing to mind the words of my dance teacher 'you wouldn't expect to see wonky lines at the Royal Ballet.' Overall this piece was my highlight of the evening.

'Meditation' from Thais
In the midst of the evening this one I struggle to remember. I do recall that on the empty stage Leanne Benjamin and Valeri Hristov looked so small.

Voices of Spring
Alexander Campbell and Yuhui Choe provided a real highlight for the evening. Scattering the stage with white petals Choe and Campbell were a joyous pairing. They not only looked like they were having a lot of fun, making me want to dance too but gave a flawless performance. I'll be looking out for Campbell / Choe pairings in future performances as I want to see more.

Monotones I and II
The costumes were a little off-putting and in monotone I the dancers looked a little frog like. Overall I wasn't too keen on this piece, especially Montones I. In Montones II Edward Watson and Nehemiah Kish seemed to be doing their best to tie Marianela Nunez into knots, but she proved to be remarkably flexible and Montones II picked up.

Marguerite & Armand
A farewell for Tamara Rojo and Sergei Polunin at the Royal Ballet. I'd not seen this ballet before and I have to admit I didn't particularly like it and wasn't sure it showed either Rojo / Polunin off to their best. In particular I felt like Polunin was not on form at the start of the performance, although by the end his dancing was impressive. The evening finished on a high with more curtain calls than you could count, a cameo appearance from Carlos Acosta and a mountain of flowers thrown from the boxes. A better farewell a girl could not dream about.